The Goddess Left Behind

How easy to be left for damsel: to lie in a forest
for days, unseen, on a bed of thick needles
and not get pricked. Hold time in place under her
tongue, hold the last flower of air in her chest
to see what will happen—what will bloom and wilt.
 
When a girl can dream and not be frightened
of the years ahead of her yet to be lived, alone
in myrtle and moss. When she can see the animal’s
teeth for its shine and not for the bite, the hurt
it leaves on her.
 
The crows mournful at the mouth of the cave
she reads as a sign of leaving: the world empty
of her.  She of clipped wings, glistening with drama,
so pretty to look at, so stiff with misuse.

Vandana Khanna
Vandana Khanna was born in New Delhi and attended the University of Virginia and Indiana University, where she earned her MFA. Her first collection,Train to Agra, won the Crab Orchard Review First Book Prize. Her second collection, Afternoon Masala, was the co-winner of the 2014 Miller Williams Arkansas Poetry Prize. Other awards include the Elinor Benedict Poetry Prize from Passage North and the Diode Editions Chapbook Competition. Her work has appeared in The Missouri Review, the New England Review and Prairie Schooner as well as the anthologies Asian American Poetry: The Next Generation and Indivisible: An Anthology of Contemporary South Asian American Poetry.