Angerfish

I.

On the first day 
the fish wrapped in straw 
starts to stink.

On the second day 
if you walk by the barn 
it enters your clothes.

That evening your wife 
sniffs your suit 
but says nothing.

On the third day 
dressed in your skin 
the fish begins to walk.

Your friends know 
to hold their breaths. 
This is not the first time.

If nothing else happens 
the fish retreats 
to its mean nest.

You shower. 
It sleeps 
waiting for you.

Fish oils 
soak the hay 
of the whole barn.

The chickens begin to dream 
of seaweed, 
of roe.

II.

In the middle of it 
the fish 
is the wisest 
truest thing you know.

It whispers 
sweet sauces -- 
We are brought here to love, yes, 
but not blindly.

Its jelly eye 
winks at you 
codes of Morse -- 
No remorse.

Every oracle 
takes its price, 
skin for scales, 
gold for gills.

Some days 
it is a bargain. 
Or else it costs 
everything you have.

III.

I was raised without the fish 
as some children are raised without candy 
or time.

No one in my family spoke of it 
as no one spoke then of cities 
or queers.

Somehow in the cradle, rocking, 
I caught a whiff; or in the crib clutching 
at rails

a bit of fish caught 
rough in my scream. 
Swallow.

Since then the fish has grown in me 
like bubblegum or seeds of water 
melons.

Since then we're bosom tight 
thick as thieves sealed with a 
kiss -- kin.

Is this what I meant 
when I longed for teeth? 
Is this what they meant

when they named me fish? 
Soon I shall slit my 
belly

to stroke its silver scales 
bilious, slippery 
as love.

IV.

At last the fish 
swallows its own tail

scale by creamy scale 
orgy of self-

righteous lips 
on sharp bone

tongue sucking spine 
vertebra by vertebra

teeth shredding 
gummy ovaries

ripe with black meat 
millions of living

egg of fish. 
Belly full of self

soft pulsing 
heart of fish

parallel eyes 
forehead

white gills 
filled

with the last sea. 
When the fish

is all jaw 
row of incisors

grinding plankton 
coral salt

churning oceans 
like milk

into sweet fat 
gold

then I will be ready 
for you.

Minal Hajratwala
She is the author of Leaving India: My Family’s Journey From Five Villages to Five Continents (Houghton Mifflin Harcourt, 2009), which Alice Walker has called "incomparable," and The Washington Post has characterized as "searingly honest." She researched and wrote the book during a seven-year period, traveling the world to interview more than 75 members of her extended family. Hajratwala's creative work has appeared in journals, anthologies, and theater spaces and has received recognition and support from the Sundance Institute, the Jon Sims Center for the Arts, the SerpentSource Foundation, and the Hedgebrook writing retreat for women, where she serves on the Alumnae Leadership Council. For World AIDS Day in 1999, the Asian Art Museum of San Francisco commissioned her one-woman show, “Avatars: Gods for a New Millennium.”
Note: "...who 'wrap up' anger—that is, wrap around [themselves] repeatedly the anger based on the thought 'he reviled me,' and so on, like wrapping up the pole of a cart with thongs, or putrid fish with straw—when enmity arises in such persons, it is not appeased, pacified." —Dhammapada I.4